Build the whole set inside the app.

Eleven effects, build-up and break-down on one control, a three-band isolator with kills and release effects: brake, echo out or both, with slip.

A looper that catches (CATCH) what you play, and an instrument dock that opens when needed: keys, drum kit and guitar pedals.

The full JV Synth, played from the keyboard right below it, with the looper strip above to catch what it plays.

On-device stem separation to play and process each part of a track.

Polyphonic voices with wavetable and supersaw oscillators, run on an optimised audio engine.

Envelopes and LFOs routed to any destination through the matrix, on OSC, MOD and FX pages.

Save and load patches; yours keep opening as the synth gains new features.

An on-screen keyboard right below the synth, with octave and transpose.

The looper tracks capture what you play on the drum pads, the synth and the keys.

Piano, a drum kit on pads, a guitar fretboard and a pedalboard, opened on demand in BUILD.

Record the microphone straight onto the timeline, aligned to the bar, next to MIDI tracks and audio clips.

EQ, filter, compressor, drive, delay and reverb on every track; the effects rack stays on the master.

Volume, pan, cutoff, effect mixes, synth macros and plug-in parameters. Draw points or record them live.

A full piano roll, block arrangement, per-track octave and transpose, undo and redo.

Export the final audio, the .mid file or the .jvproj project to keep working later.

Audio Unit v3 instruments and effects with the plug-in UI and state saved in the project. Tested with Apple's AUs.

Drag-to-reorder layers, on-device background removal and sending the image to the 3D stage.

Clips on a compositing timeline, ready to become a visual layer.

Extrude, inset, bevel, subdivide and mirror; PBR materials, lights and environment; auto rig and weight paint; a keyframe dope sheet; texture paint and MP4 render.

Its own 3D scene with generators, cloners and effectors that follow the music, and that can run live as a VISUALS layer.

Trim, cut, fades, normalise and reverse on wav, mp3 and m4a files, exported as a new clip.

Take the 3D scene to a path tracer with tech launch, jewellery, logo sting, beauty and interior presets.

A scene's groups laid out in bars, with markers, transitions and automation; each group repeats, plays once, holds its last frame or moves to the next.

The effect chain of a layer, a group or the master as connected nodes.

Bind any parameter to synced LFOs, macros and external controls.

Cut a layer with shapes and other layers.

Typography as a visual layer, with the same effects.

Import ISF shaders and use them as layer modes.

Orbit around, select and move trusses, screens and fixtures.

PAR LED, moving heads, beams, spots, wash, strobes, lasers, sconces and chandeliers; special effects such as CO2, sparkular, fireworks and flame projectors; light presets.

Show, crowd, sunrise, ambient, beach, blackout and all on, with bloom, one tap away in the STAGE bar.

Fixtures with DMX addressing and light cues, previewed in the editor. Hardware output: coming soon.

Automatic camera shots and a drone camera to show off the stage during the set.

Walk, jump and talk to characters that answer with neural voices generated on the device.